The Traveling Film Seminar began its road show in Arlington, Va. this past Tuesday, August 29, 2017. Forty teachers turned out for the workshop and proved to be a very engaged and appreciative audience. Made possible through a grant from the Virginia Foundation for the Humanities, the workshop, titled “Recruited, Excluded, and Sort of Included.” featured two films, Through Chinatown’s Eyes: April 1968 and Finding Cleveland. Presenters included filmmaker Larissa Lam (Finding Cleveland), Harry Chow (DC resident in 1968 and featured in Through Chinatown’s Eyes…), Ting-Yi Oei, Education Director of the 1882 Foundation, Janelle Wong, PhD, (Univ. of Maryland Asian American Studies Dept.), and Krystyn Moon, PhD (Univ. of Mary Washington, American Studies Dept.).

The goals of the workshop were threefold:

  1. To provide teachers with new content and perspective on teaching key themes such as civil rights in American history.
  2. To demonstrate how how this content can be embedded into the curriculum though short films that tell stories in a powerful way.
  3. To strengthen community ties by having members come to know and understand each other better through the telling of personal stories.

By witnessing the riots of 1968 in Washington, DC, viewers of the film come face to face with the dilemma of Chinese Americans being a “minority within a minority” in Chinatown and how that shapes one’s identity. Many teachers expressed that they were unaware that the riots affected the Chinese American community at all and were very taken by the stories they heard, learning more about the times and seeing beyond the black/white descriptions commonly associated with discussions of civil rights. Similarly, Finding Cleveland told the little known story of the Mississippi Delta Chinese that form the basis of Baldwin Chiu’s journey of discovery of what his family’s history and heritage is. Teachers used words like “eye opening,” “inspiring,”  and thought provoking,”  in their evaluations of the session and commented on the powerful emotions it evoked. Other participants noted that the speakers and the films will help them talk about identity and what it means to be an “American” in their classrooms

In the evening, we brought the films to a community audience with to talk about how communities grow and change, and can become stronger when community members learn the history and culture from each other. Marya McQuirter, PhD, a native Washingtonian and historian who is heading up a program called DC1968, spoke of the importance of remembering all that happened during that important year. Regina McPhie, another DC resident who grew up in Chinatown, added her voice to what she experienced back then and the changes she has seen over the years. Both added reflections about how their own lives were transformed by the events of the past and contributed to career and life choices afterwards.

What came through most significantly in both sessions is the importance of telling these kinds of stories and making them not only familiar to the broader public, but in recogizing these stories as essential parts of the American narrative.

We are looking forward to the forthcoming events in our Traveling Film Seminar and will keep everyone updated on the progress of those events.

Why Asian American Studies – Wong

 

Join 1882 Foundation for the first installment of our traveling seminars. Seminars feature short documentary film screenings, expert speakers, discussions of key historical themes, and lesson plans for educators. The first session is geared towards teachers and the second session towards the general public (though all are welcome to attend either). The seminars will shed light on the Chinese American experience, what it means to be American, and why that story and that of all Asian Americans must be told.

FIRST SESSION: Recruited, Excluded, and (sort of) Included: the Asian American Experience seen through short films
Aug. 29, 12:30 to 3:30 PM
Arlington County Teachers Workshop
Arlington Traditional School
855 N. Edison St.
Arlington, VA 22206

Chinese came to America looking for “Gold Mountain” in the 1850s and then to build the Transcontinental Railroad. But in 1882 and for 60 years after, Chinese Americans and later all Asians were not allowed into the U.S. and denied citizenship if already here. Fitting into American life was especially difficult given this legacy of exclusion. Teachers will explore this history and view two contemporary short films. “Through Chinatown’s Eyes: April 1968” is about the Washington, DC riots following Martin Luther King’s assassination and its impact on Chinatown. “Finding Cleveland” follows a young Los Angeles man seeking his Chinese roots and unexpectedly finds himself tracing the path of his father and grandfather to Cleveland, Miss. in the heart of the Jim Crow south. A panel discussion will follow with filmmakers Lisa Mao and Larissa Lim and noted scholars Janelle Wong (University of Maryland) and Krystyn Moon (University of Mary Washington). Teachers will also receive lessons addressing the history of exclusion and issues of identity raised by the films.

Speakers/Panelists: Janelle Wong (U. of Maryland), Krystyn Moon (U. of Mary Washington), Larissa Lam (filmmaker of Finding Cleveland), Lisa Mao (filmmaker of Through Chinatown’s Eyes: April 1968)

SECOND SESSION: Recruited, Excluded, and (sort of) Included: the Asian American Experience seen through short films
Aug. 29, 7:00 to 9:00 PM
Open to the Community
Kenmore Middle School
200 S. Carlin Springs Rd.
Arlington, VA 22204

In the evening, we will be showing the same two films but with a different perspective: how do changing communities such as Arlington build on the strengths of their individual communities (Asian, Latino, Black, and White). The idea here is to for people to understand how important it is for all the communities to get to know each other and their history. Panelists include Samir Meghelli, (Curator, Smithsonian Anacostia Community Museum), Marya McQuirter (DC 1968 Project) and Larissa Lam

Again, the seminars will need to be tailored to each venue, but this may give you a few ideas. The films I would like to use in Norfolk are Finding Samuel Lowe and Finding Cleveland. “Finding Samuel Lowe” is longer – by Paula Madison runs 40 minutes but is excellent. We showed it in DC at our annual 1882 Symposium. It’s about three African American siblings, one of them Paula, who grew up in Harlem with their Chinese/Jamaican mother. They follow a trail to Jamaica, Toronto, and then to China to learn about their Chinese grandfather. At the critical juncture of venturing off to China, Paula’s husband asks her, “What do you expect? You know you’re Black?” She laughs and says, “I know I’m Black! I expect that because I am their family and they are my family, we’ll be family… I know that I am a Lowe, and they will want me as much as I want them.”


Our events are free and open to all. For questions, or to get involved, please contact Ting-Yi Oei at tyoei66@gmail.com.

 

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The 1882 Foundation’s Chinese American Short Film Seminar (May 13th-May 14th) explored filmmaking as both identity building and as potent storytelling. Films presented at the Alexandria Black History Museum grappled with the role of lineage and faith, and added to the defining “Chinese American.”

These included a full length screening of “Finding Samuel Lowe,” in which three African Jamaican-American siblings from Harlem searched for information regarding their grandfather, Samuel Lowe. Their search took them from New York and Toronto to Jamaica and China. Film writer Paula Madison explored intersectionalities between international communities and race through familial ties.

A short film, “Finding Cleveland” by Baldwin Chiu and wife Larissa Lam, discovered roots in the Mississippi Delta, where Chinese live between black and white struggles. Their short film touched upon the community impacts of racist legislation like the 1882 Exclusion and the Page Acts, which split families and left gaping holes felt acutely by children and grandchildren decades later.

Paul Jew’s “The Wok From Albuquerque to San Francisco” focused on a single act of kindness in Albuquerque and its ripple effect across time and space to his Auntie Tane’s Wok Shop in San Francisco Chinatown.  It touched on both Christian grace and Chinese ancestral rites. Ken Eng’s excerpt from “My Life in China” explored these rites in quiet poignancy with his father’s return to China.  Both films tell a spiritual aspect of Chinese diaspora that binds them despite separations by geography and generations.

 

The latest presentation of “Through Chinatown’s Eyes, April 1968” occurred at the National Council for the Social Studies Annual Conference held in Washington, DC on Dec. 2, 2016. Ting-Yi Oei showed the film to 30 teachers and other educators and provided them with a copy of the film and a lesson plan. The lesson plan covers not just the events documented in the film but provides valuable context for the history of the times. Civil rights are at the heart of the events surrounding Martin Luther King’s assassination, but the riots that followed should also be seen in the entirety of what was going on in the country at the time: the Vietnam War, a divisive presidential campaign, and a pervasive sense of social injustice. The film also raises questions about the search for identity as is evident by the accounts given by the residents of Chinatown who lived through the riots. The lesson plan addresses these issues and more so that teachers can incorporate the film into a number of places in the curriculum and meet national standards in courses ranging from civics and government, to history, and to sociology. Several teachers commented on the first-person stories that people told of the experiences, and many were unaware that the riot took place in an area where another minority group lived. Another teacher who is from DC noted that the film is also valuable in showing how neighborhoods are transformed over time and that it can be very effectively used in a contemporary fashion comparing what the area looks like today to what it was in 1968 and in between.

Through Chinatown Eyes April 1968 Image

The lesson plan is available here.

 

 

 

The 1882 Foundation recently set up a table display at the Historical Society of Washington DC’s 43rd annual conference, held at the Walter E. Washington Convention Center on November 4, 2016. The conference’s mission has remained constant: to provide a friendly and rigorous forum for discussing and promoting original research in the history of local Washington, D.C., and its metropolitan area. Ted Gong, Tom Fong, and Sojin Kim were thrilled to have the chance to share the mission of the 1882 Foundation with this dynamic group.

 

 

 

 

Meeting in Los Angeles over the course of two days, members of the Chinese American Citizens Alliance (CACA)  Education Committee drafted plans to produce a curriculum in 2017 around five key themes in Chinese American history.

  • Immigration
  • Building of the American Nation (Contributions)
    • Western expansion
    • Imperialism
  • 14th Amendment (Wong Kim Ark)
  • Civil rights – Exclusion laws
    • Women’s rights
    • Asian American movement of the 60’s
  • Culture and Identity

Recognizing that a lot of material exists already, the committee is setting its task to gather the best and most relevant lesson plans and resources to explain the unique role and contributions of Chinese Americans in American history.

Within each of the themes lie many stories of Chinese Americans. Currently the K-12 curriculum is lacking representation of Chinese American and Asian American experiences. Yet the national and state standards being taught can easily be addressed – and should be addressed – by introducing personal narratives, court cases, photos that shed light on the themes we’ve chosen.

The Chinese Exclusion Acts should be a focal point for making it clear that the U.S. has not always lived up to its ideals as represented in the Declaration of Independence and the Constitution. One of our goals is to make clear what the Acts were about and the legacy they left.

The Supreme Court case of Wong Kim Ark should be highlighted in any U.S. History curriculum as the landmark case that it is for determining birthright citizenship (14th Amendment) in this country, Similarly, the more complete story of immigration should include the lives of Chinese Americans: not just that they helped build the Transcontinental Railroad, but what did their work entail? How did they live? Could they have any kind of family life? From these kinds of questions one can learn more than just immigration. The discussion can now move forward to related questions about labor, women’s rights, and cultural change.

We are determined to find the places in the curriculum that need attention and give the Chinese American story a proper place in the history of the American nation. Please add your thoughts and ideas to the discussion

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