Wing on Wo & Co., a porcelain antiques shop located in New York City’s Chinatown and home to the W.O.W. Project, a community-based initiative focused on preserving Chinatown’s creative culture and history, hosted a workshop and fundraiser on June 25th called “Confronting Anti-Blackness as Asian Americans.” This event, held exactly a month after Minneapolis police murdered an unarmed Black man named George Floyd, was intended to help Asian Americans address anti-Blackness within themselves and their communities. Participants wrote reflections about anti-Blackness, shared their experiences in small groups, and learned how herbalism can promote community healing. 

During the workshop, Huiying B. Dandelion, a creative writer and cultural organizer, guided us through writing prompts about our racial coming of age stories and experiences with anti-Blackness. While reading responses in the chat, I was surprised that so many others feel uncomfortable discussing race issues with their communities too. It’s difficult to acknowledge implicit biases and hold the people around you accountable when you can just avoid tough conversations altogether. Staying silent is a much easier option, but there’s a certain shame that comes with silence. Personally, I attended schools in a predominantly white community throughout my childhood. I became accustomed to seeing white individuals in positions of power, and as I grew up, I put aside societal divisions that I saw. I only started to question them recently after learning about the Movement for Black Lives. Some participants began supporting this movement after the fatal shooting of Trayvon Martin, an unarmed Black boy. Others were moved by the pain felt by Black and brown friends and the protests that developed in their hometowns. 

In a particularly impactful segment, participants anonymously gave voice to stereotypes they grew up hearing about the Black community. These stereotypes, typed onto a slide of virtual sticky notes, indicate the extent to which negative biases pervade our society. Grouping every toxic message in one place and hearing them read aloud was sobering. In small groups, we discussed how these stereotypes influence public policy such as employment discrimination, police bias, gerrymandering, the War on Drugs, the prison industrial complex, and Black mortality in healthcare. These racist policies result from prejudices we learn in our communities and reflect back into it in a vicious cycle. For our communities to change, we must unlearn our biases and “not only point our fingers outwards but also work within ourselves,” said Huiying.

After providing an update on the fundraiser’s progress, Vivian Mac, a spiritual herbalist and founder of Willow’s Touch, a shop for plant-based remedies, led an herbology workshop. She focused on three plants: dandelion, burdock, and plantain, which are found in Asian herbal medicine and cuisine. Each plant is considered a weed, and similarly to weeds, anti-Blackness spawns easily and is difficult to eradicate. The hardiness of these plants is symbolic as well. They grow through concrete and in environments unwelcome to them; plantain, whose growth accelerates after it’s stepped on, particularly thrives in damage. One by one, Vivian described each plant’s health and healing properties. I was interested to learn that dandelion, an unwanted flower that grows in front of my house each summer, regulates blood flow and can be made into tea. “Uproot what is deeply seeded in yourself, and… release patterns that you have been socialized into,” said Vivian.

By the end of the event, Wing on Wo & Co. had reached its fundraising goal of $3000 in donations to support Black Trans funds, including The Okra Project, G.L.I.T.S., For the Gworls, and the Emergency Release Fund. The total later rose to $3,798. Huiying and Vivian also sent a list of helpful resources, linked here.

This interactive writing and herbal workshop was a unique way to reflect on internal biases that many Asian Americans share. Moving forward, we must confront anti-Blackness in our community. Long-held prejudices will continue to have damaging consequences if we don’t address them at their roots.

Our first book for our Weekly Book Chats is Orientalism, by Edward Said. You can find the registration link for the Book Chats here: https://1882foundation.orglinktr.ee/1882Foundation under “Weekly Book Chat Registration”

Image Courtesy: Wikimedia Commons

 

Why we chose this book: 

Said’s Orientalism paved the way for modern studies of colonialism. Using the term “Orientalism” to refer to depictions and fabrications of the “East” by Western colonial powers such as the late British empire, Said outlined a theory of cultural imperialism, arguing that Western depictions of “Eastern” culture were driven by a false belief in cultural superiority. His sharp criticisms of Orientalism remain strikingly relevant even today, as modern political, social, and cultural conflicts have created new spaces in which orientalist thinking continues to evolve. 

Key Ideas

Orientalism: A way of seeing, imagining, and depicting non-Western individuals that reduces their identity to a set of essentialized ethnic and cultural differences. The core premise of Orientalism is the idea that people from the West and East are fundamentally different. Implicitly, there is an undercurrent of cultural superiority: the exotic “East” is seen by the West as having a backward, illogical culture in need of correction by Western colonialism. 

The West: specifically imperial powers such as France, the U.K., and more recently the United States, which possesses the cultural capital to fabricate and disseminate generalized conclusions about entire cultures. 

Colonialism:  The process through which one country imposes its authority on another. Though colonialism is often rooted in economic exploitation, its dimensions can extend to the realms of religion, politics, and culture as well. 

A clarification about Said’s argument: Said is not saying that there is a “real” or “true” Orient that has simply been “misrepresented” by Westerners. To suggest this is to concede that the fundamental distinction imposed by Orientalism between West and East is, at its core, correct — a distinction which Said finds to be fundamentally dangerous.

Discussion Questions:

What is Orientalism, and why does Said find this idea problematic

In what ways can Orientalism explain the direction of Western political engagement with non-Western countries?

In what ways do modern representations of non-Western countries reinforce Orientalism?

How might an understanding of “Orientalism” help us understand the problems with the rhetoric of “assimilation” for new immigrants from foreign countries?

Co-written by: Saniya Han & Kyle Wang

The Museum of Chinese in America hosted a forum on “Asian American Allyship for Black Lives Matter” on June 19, or Juneteenth, a day which commemorates the emancipation of the formerly enslaved in the U.S. and also marks the anniversary of the murder of Vincent Chin. For the panelists, — former U.S. Ambassador to China Gary Locke, President-Designee of Queens College Frank Wu, and their moderator, MOCA director Nancy Yao Maasbach — the focus of the conversation echoed the day’s historic significance, centering the histories of both anti-Asian as well as anti-Black discrimination in the United States.

The conversation was framed around three central questions which were posed to the panelists and the audience. The first question, “Are you comfortable discussing topics of race?”, received a majority of “Yes” responses from the audience (76% in total). Dr. Wu then opened with context on the formation of Chinese diaspora in the United States, explaining that Chinese — and, more broadly, Asian — migration to the United States occurred not as a continuous process but in individual waves. This segmented migration, Dr. Wu noted, creates multigenerational divides which may lead to differing perspectives and opinions on politics and race.

Echoing Dr. Wu’s assertions, Ambassador Locke recalled his own childhood, noting the nakedly anti-Japanese sentiments his mother often echoed. Recognizing that these sentiments have always existed — pan-Asian solidarity being a relatively new concept — is crucial, Locke suggested, to building effective allyship for Black Lives Matter. He then affirmed the need for better education across generations about discrimination against Asian-Americans to build support and solidarity for Black Lives Matter.

For Ambassador Locke, the “education” theme continued as the panelists and audience were posed the second question: “Do you feel equipped to seek out diverse resources to educate yourself on Black Lives Matter?” As was the case with the first question, most of the audience — nearly 83% this time — responded affirmatively.

Framing the issues of anti-Blackness in the Asian American community as one of miseducation, Locke re-emphasized the need for solidarity. “When African Americans talk about centuries of discrimination, [we need to understand that] we have also faced that, and therefore our interests in moving forward have to be alongside those of African Americans.” Asians, too, in Locke’s words, historically faced discrimination at the hands of the American government; the most recent wave of protests following the murder of George Floyd merely re-exposes centuries of discrimination which many marginalized communities had been forced to endure. Education about Black Lives Matter, for Ambassador Locke, thus requires Asian Americans to learn of their own fraught history in the United States, and how their interests historically aligned with the broader struggle for Black Civil Rights.

Dr. Wu concurred, offering historical perspective on the legal status of Asian Americans. During the era of codified racism before Civil Rights, Dr. Wu noted, Asian Americans were never — in the eyes of the law — considered to be “white” and were also victims of legalized discrimination. It was only in the 1980s that the Model Minority Myth, the notion that Asian Americans had achieved their socioeconomic success through hard work alone, was invented as a means of “false flattery which elevated Asian Americans while putting others down,” said Dr. Wu. Combating the Myth is thus also a crucial component of effective allyship.

To conclude, Dr. Wu and Ambassador Locke responded to the third and final question: “Do you think Asian Americans are ready to be allies for Black Lives Matter?” Audience answers showed a near fifty-fifty split. In response, Dr. Wu pointed out that the current moment required all individuals to choose a side: “We need to talk about allyship and be good allies,” he said. “There are no bystanders.”

*This interview was conducted by Talk Story Director Stan Lou

The 1882 Foundation has sponsored the Chinatown Art Studio for the past two years under the inspired leadership of artist-in-resident Shani Shih and look forward to the beginning of this summer’s virtual version. Shani is a talented artist with a great passion to pass on her knowledge to aspiring young artists in our community. This is a part of her continual selfless contributions for us. We had the opportunity to engage Shani in a very open conversation that expresses her personal narrative and devotion for her work.

What motivated you to create Chinatown Art Studio

Chinatown Art Studio came out of my personal journey of empowerment. It’s been a big goal of mine to pay it forward—to support and empower others, especially young people, through art. After graduating from school in DC, I’ve been enriched by formative experiences with different communities in DC and with organizations including Asian American LEAD, maybe the only local youth program catered towards low-income AAPI families. I’ve grown as a community advocate and artist in various capacities, independently creating art, collaborating with my street art collective, and teaching art workshops for youth in the DMV. Having stayed in touch with former AALEAD students, I saw that many were still interested in art and some were actually cut off from affordable after-school programs in recent years. It was unfortunate to see, especially given the heightened need for community and youth support in the dwindling Asian American community in DC. In 2018 I had the thought—if a space doesn’t exist for them, why don’t I help create it?

What are your ambitions for the space? 

Coming into our 3rd summer I hope we can continue to expand and enrich Chinatown Art Studio in size and scope; I hope to grow our student group, hire more facilitators, and create more frequent, immersive and dynamic program offerings in partnership with local communities, organizations, artists, creators, movers and shakers. As we witness our society go through a period of great reckoning and transformation, I also hope Chinatown Art Studio can continue to be a space for AAPI youth to process, heal, dream, and build connections—a space that supports self-expression, creative identity and agency, and provides tools so they may make the world a more just and joyful place through art. 

Tell us your personal story of realizing your artistic mind and heart, who or what motivated you?

My journey finding my artistic voice and vision came hand in hand with my journey with race, class, identity, and mental health. 

There was a lot to be thankful for growing up—I was able to learn about Taiwanese and Chinese language/culture from an early age. My town and county was home to many AAPI communities and other communities of color so I always had company. Nevertheless, I spent the latter part of my childhood feeling quietly frustrated, resentful and disconnected to my surroundings, especially within my own Asian American communities. I couldn’t accept the narratives about how I should see myself in this world, culturally or otherwise, that were so dominant in the immigrant suburban world. I had never been to Taiwan; I did not feel that Taiwanese identity was something that I could call mine. I was made fun of and my passion for social issues was perceived as anger. I felt isolated, like a bit of a failure. I didn’t know how to deal with my community’s segregation from other communities around us, or lack of connection to traditions of civic engagement and movements that fought for our current day privileges.

Finding Hip-Hop in 2012 was a pivotal moment in my life. Pioneered by Black and Brown communities in New York, Hip-Hop culture has become a global movement in a matter of decades. Its bold and defiant sound and aesthetic has shown to be a universally accessible platform for empowerment. It was the first community, culture, identity that I felt welcomed my whole, complex self.  It gave me a new platform to connect to the world and confront our realities with—an approach to identity based on awareness, knowledge, growth through art. 

I hope to continue developing my body of work and grow in my mural practice. I am passionate about the power of public art and hope to uplift communities by sharing my artistic vision in large scale public works. I want to use my art to inspire and provoke introspection, to provide comfort and acknowledgement in shared human experience. In terms of youth work, I hope to continue passing along skills and the lessons I’ve learned, and help youth find their voices and expand possibilities through art.

How do you describe your art, and what are your ambitions for your art. 

In my work I juxtapose expressive figures and visual themes of industrialism. Using gritty textures, bold lines, black and white illustration-style painting mixed with color abstraction, I render chaos, anxiety, confusion, and trauma, mixed in with hope, comfort, strength. I use form, movement, and abstraction to communicate honesty, vulnerability, emotions and experiences. I weave in glimpses of nature and the natural elements to help illustrate inner transformation and emotional transcendence.

I hope to continue developing my body of work and grow in my mural practice. I am passionate about the power of public art and hope to share my artistic vision through large scale public works. I want to use my art to inspire and provoke introspection, to provide comfort and acknowledgement in shared human experience.

Where do you work/what do you do outside of art?

I work full time as a tenant organizer with a housing non-profit. In this moment of drastic gentrification in DC, we assist both individuals and tenant groups across the city in building tenant power. We help organize tenant associations and support them in preserving affordability in their buildings, fighting slumlord conditions, displacement, and more. 

Where can people find you?

You can connect with me on via my Instagram (instagram.com/shanishih) or my website www.shanishih.com!

Co-Written by: Sabrina Brogniart, Lauren Eng, and Hayle Wesolowski

Event Speakers:
-Sandy Hoa Dang, Social Entrepreneur, Education Expert, Leadership Trainer, and Management Consultant
Sue Ann Hong, President/CEO, Asian Pacific American Women (CAPAW)
-Sheri Daniels, Executive Director, Papa Ola Lōkahi
-Ben de Guzman, Director, Mayor’s Office on Asian and Pacific Islander Affairs (MOAPIA)
Samantha Chiu [moderator], Senior Operations Research Analyst and Data Scientist at Booz Allen Hamilton

The Conference on Asian Pacific American Leadership (CAPAL) hosted an online panel discussion, “AANHPI Womxn in Public Service: Overcoming Challenges in the Workplace,” for its 2020 Washington Leadership Program. Each summer, this organization holds a series of bi-weekly sessions to provide resources and inspire civic engagement among youth. This year’s theme, “Moving Forward,” brings awareness to current events in the United States and their relation to Asian American, Native Hawaiian, and Pacific Islander (AANHPI) experiences. In this session, speakers provided guidance to AANHPI womxn interested in public service. 

Sue Ann Hong, the President and CEO of the Center for Asian and Pacific American Women (CAPAW), opened with five trivia questions about the Census and current demographic trends. The answers shed light on both the United States’ rapidly growing AANHPI population and the treatment of working men and women. Afterwards, the panelists discussed the importance of representation in positions of leadership. “Sometimes we feel invisible. We’re one of few. When we get more representation… the diversity of thought increases,” said Sue Ann Hong, citing data about the benefits of diversity in the workplace. Sandy Hoa Dang echoed her thoughts. Building on her childhood as a refugee, she founded AALEAD, a DC nonprofit for Asian American immigrant youth development. Later, President Obama appointed her to represent the United States as leader of the Vietnam Education Foundation. Sue Ann Hong leads by example in this executive position. She acknowledged, “If I can do it, other people [think they] can do it too.” Mr. Ben de Guzman cited Senator Tammy Duckworth as another example of this statement. Senator Duckworth is the first Thai-American woman to be elected to Congress and one of the only female immigrants in the Senate. Her background as a U.S. Army lieutenant colonel adds legitimacy to her public policy work and demonstrates the success that others of similar backgrounds can achieve. Leaders such as Senator Duckworth encourage youth to “break that cultural barrier to succeed,” said Sue Ann Hong. 

The panelists then spoke about the challenges AANHPI women face in the workplace and its relation with the #MeToo movement. For example, Sheri Daniels spoke about how Hawaiian women are often stereotyped as the exoticized and hypersexualized Hula dancer. However, she acknowledged that, while harassment, microaggressions, and discrimination still exist, #MeToo has empowered more women to speak their truth. Sue Ann Hong agreed and discussed how women often experience  courage and shame when speaking out against perpetrators, but #MeToo has helped create a support network to process these feelings. She also alluded briefly to the “keep your head down mentality” that both women and Asian Americans are often taught, thus reminding the audience that the intersections of race and gender are inextricably linked.

The panelists also spoke about  the “glass ceiling” (or specifically “bamboo ceiling” for Asian Americans), a metaphor for an unspoken, invisible wall preventing women and underrepresented groups from advancing further in their careers. The panelists discussed how women, especially in managerial positions, must constantly prove themselves to avoid being questioned or belittled. Additionally, there is the pay gap. Moderator Samantha Chiu shared that AANHPI women make $0.90 for every $1.00 that white non-Hispanic men make, and that there is even further discrepancy within the AANHPI community (ex. $0.52 per $1.00 for Burmese women).* Sandy Hoa Dang thus urged employers to post their salary ranges on all job descriptions and to pay their interns. She also encouraged jobseekers to do market research, learn the art of negotiation, and understand their worth, skills which she had to learn herself.

Sue Ann Hong also talked about how finding mentors helps with career growth and can sometimes break the glass ceiling. She advised the audience to reflect on their goals and skill set before seeking out a mentor who can help with personal and professional development. Sheri Daniels also added that mentors can come at any point in your career. She advised those in leadership to seek out mentors, including those younger than them, which helps with learning constantly and not becoming complacent. Ben de Guzman and Sandy Hoa Dang both emphasized that mentorship (and more broadly, networking) is about relationship-building and finding people with similar interests. 

The last session of the event was an open Q&A session. The first question asked was: How do you navigate public service when you’re swayed by lobbyists and legacy money? Ben de Guzman referenced the TV show “West Wing”; no one is who they really are in politics. He also mentioned how you decide if you are in it for the money or if you are in it for public service. Sheri Daniels touched on how she knows that she can walk away from negative lobbyist influence. She mentioned how women are often taught to go with the flow, and she said that women must speak out when they feel uncomfortable with lobbyism. 

The second question was: How have you bridged the gap and/or navigated the transition from traditional to Western work culture? Sandy Hoa Dang says she first learned Vietnamese work culture. However, she’s been in the US for 40 years and she’s found out that Vietnamese work culture has changed. Sandy recommended apologizing for not initially knowing certain customs of work culture, not making assumptions, and remembering that there is always a learning process with everything. Sue Ann Hong had to learn and understand the unwritten rules, regardless of whether coworkers told her the rules. When she used to work at State Farm Insurance, she was one of the only Asian American women so she had to learn really quickly how the department worked. She did that by assimilating pretty heavily in the beginning; however, she realized that she had to gain strength from her heritage as well. Sue Ann mentioned that she was at her best when she brought in Korean values to her work. 

Moderator Samantha Chiu ended the Q&A session by giving the floor to the panelists to share closing remarks about their experiences working in public service. Ben de Guzman mentioned how our ancestors are watching us and how many of us feel like we have a  debt to our family and community. For him, public service has always been about the community he serves. He enjoys meeting the people he serves locally, and he sees public service as an opportunity and obligation to serve something larger than yourself. Sandy Hoa Dang stressed how she has benefited tremendously from public service. She has made lifelong friendships and connections as well as also being able to uplift and benefit the community. She said, “you should do public service if it’s one’s call to action.” She would do it all over again if she could. Sue Ann Hong stated that she came into public service 2 years ago and has learned a lot from people in her network. She enjoys helping and seeing women in public service succeed. Every day at work, Sue Ann’s personal goal is to help three people a day. Lastly, Sheri said that her role in life and public service is to “bridge, uplift, and give voice to people.” She said that when it gets hard and when she wants to give up, she pauses and reassess other ways to approach the project or issue. She told audience members to always remember that there are a lot of people that want to help and support you. Sheri quoted Michelle Obama, in that “people who are truly strong, lift others up, people who are truly powerful, bring others together.” 

In the event’s closing remarks, Liz Jung, CAPAL Board of Directors and analyst at the Corporation for National and Community Service (CNCS), thanks the panelists and mentions CAPAL events and social media.  

*Note: Source from the National Partnership for Women and Families. It is important to recognize that, according to this study, Black, Latinx, Native American, and white women are paid at lower rates and the wage gap is even more significant. More information on the wage gap among AAPI women can be found here.

 

Asian Americans Salute Frontline Heroes (AASFH) hosted a panel titled “From Vincent Chin to George Floyd” to discuss how these two murders created and sustained movements opposing racial injustice and discrimination. The panel was moderated by Gordon Quan, an attorney and member of AASFH. The panelists included: Helen Zia, journalist and activist for Asian American rights; Cherry Steinwender, Co-executive director and Co-founder of Center for the Healing of Racism; Mark Toubin, Southwest Director of the Anti-Defamation League (ADL); Annie Tan, an activist and cousin of Vincent Chin; Zach Owen, who helped a Burmese family that were victims of a hate crime in Midland, TX; and Reagan Hignojos, a friend of that same family.

The discussion began with Reagan giving updates on how the Burmese family was holding up. Hignojos said the father is worried whether his son may face PTSD later in life. After the update, the panelists were asked how they think people can break stereotypes barriers between communities. Helen Zia began by summarizing the events of Vincent Chin’s murder and his murderers’ subsequent acquittal. Cherry Steinwender seamlessly incorporated this into her point that American institutions are not concerned with BIPOC interests when it comes to educating children. She also criticized the model minority myth and how it affects other communities of color. Steinwender emphasized that Asian Americans need to recognize the privilege they hold in this country and understand that supporting Black Lives Matter does not take away from Asian-Americans’ fight for equal rights. She ended by reminding the audience that America was set up to divide and conquer, as long as minorities keep fighting each other, no minority group will achieve equality.

Zach Owen spoke next, describing the hate crime that we helped prevent, explaining that he intervened because he didn’t want to see anyone get hurt. Next, Mark Toubin explained the work he was doing with ADL. He talked about how ADL recently created a working group to combat the hate and xenophobia exacerbated by the coronavirus and is pushing legislation that urges Congress to condemn police brutality, racial violence, and systematic injustice. Toubin also mentioned how Vincent Chin’s murderers couldn’t have been charged with hate crimes because Michigan, the state where Chin was murdered, didn’t have hate crime laws until 1989. Because of incidents like this, ADL is also working on ensuring states solidify and readdress their hate crime laws. Finally, Annie Tan spoke on systemic racism. She echoed Steinwender’s point on institutions separating minority communities, thereby creating the divide and conquer effect. Tan’s main point was that Asian Americans need to collaborate with other minority groups rather than fight them. We need to realize that we should be fighting for abundance and not scarcity, because if we always believe we need to fight for scraps, we will always be divided.

After the panelists, there was a Q&A session with the viewers. One viewer asked why Zia believes there is a potential second wave of violence towards Asian Americans arriving. Zia responded by announcing that the world is facing two pandemics: Covid-19 and racism. She asserted that the reason Asians are targeted is to hide the real causes that lead up to the pandemic. Zia said that this pandemic has shown who is really essential to keep this country running and how the most “essential” of us are also the most vulnerable. Zia concludes by warning the audience that Asian Americans have to be aware that this is only the beginning. As coronavirus cases increase, more people will get angry and lash out, especially in this country where our leaders aim to divide rather than unite.

As the event came to an end, each panelist gave one last recommendation on how the viewers can help combat racism.

At the very end, unexpectedly, Cecil Fong, a member of OCA-Greater Houston, was brought on to give some final words. Fong, for some reason, thought it would be best to conclude the talk by stating that while black Americans face racism, Asian Americans do too. He mentioned some examples of racism Asian Americans have faced. I was genuinely shocked and confused when Fong decided to derail a panel on solidarity between minority communities with such divisive comments. His comments were detrimental to an otherwise productive dialogue. At no time during the panel did anyone say that Asian American’s didn’t face racism, so to bring someone in who wasn’t even on the panel to make such tone-deaf comments seemed unnecessary and disappointing. As a whole, this was a spectacular panel and brought together many diverse voices that were advocating for solidarity between the Asian American and Black communities and educating viewers on meaningful topics. It’s quite a shame that it had to end on such an unfulfilling note, however, it was nice to see someone exemplify why we need solidarity.

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